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Edward 'Kid' Ory
Trombonist.
A key figurehead of the New Orleans 'revival' of the 1940s, Ory
made his reputation in that city between 1912 and 1919, when he led
one of its best-known jazz groups. He is reputed to have adopted
most of the technical tricks developed by other pioneer jazz
trombonists and absorbed them into his own playing. Certainly, he
became famous in California after travelling there in 1919, and he
made the first ever discs by an African-American jazz band in Los
Angeles in 1921.
Returning to Chicago, he not only played and recorded with King
Oliver and Jelly Roll Morton, but became a member of Louis
Armstrong's Hot Five, thereby appearing on some of the most
influential jazz discs of all time. His energetic 'tailgate'
trombone was also a key feature of several other recording groups,
including the New Orleans Wanderers and Bootblacks, and his
featured solos, such as Muskrat Ramble, incorporated some of the
tricks he had mastered in his youth.
He moved back to the West in 1930, which remained his base
until his retirement to Hawaii in 1966. He gigged round Los Angeles
in the 1930s, but after playing on television and discs in 1944,
his band became the centre of the West Coast 'revival' and he was
celebrated as a founding father of jazz.
His own playing became more minimal with age, although he sang
characteristic vocals in Creole French, but his band had a robust
ensemble style with numerous subtle arrangers' touches that
immediately marked it out as his, despite frequent changes in
personnel. He recorded regularly and prolifically from the
mid-1940s until the early 1960s, and some of his finest latterday
recordings are the live and studio sessions he made with New
Orleans trumpeter Henry 'Red' Allen.
Further Reading:
Sid Bailey: Greatest Slide Man Ever Born (Southwick, England,
1997)
Recommended CD:
Kid Ory and His Creole Jazz Band 1922-47 (Document 1002)
Suggested track: Creole Song
Recommended links:
Kid Ory at Red Hot Jazz
With bio and links
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