Duke Ellington
Composer
and bandleader. Edward Kennedy 'Duke' Ellington was born
in Washington at the end of the nineteenth century during the
height of the ragtime era. His piano teacher, the aptly-named Miss
Clinkscales, may have disapproved, but at sixteen he had written
his own Soda Fountain Rag, the start of a sixty-year career as a
composer.
He had also acquired his nickname 'Duke', from his dapper
appearance as he worked as a soda-jerk at Washington's Poodle Dog
Cafe. In 1927, Ellington got his big break and moved into the
Cotton Club in Harlem.
Run by gangsters, featuring a dazzling floor show built around
a jungle theme, and attended by well-to-do white audiences seeking
some exotic night life, the Cotton Club offered a platform for
Ellington to develop his career, and broadcasts, films and discs
for several labels followed in profusion.
By 1931, Ellington's Cotton Club orchestra had become the
leading big band in the USA. In the mid-1930s, Ellington began to
experiment with large scale compositions, such as Reminiscing in
Tempo and Creole Rhapsody.
At the end of the decade he had assembled his finest band,
featuring Ben Webster's tough and lyrical tenor sax, and the
tragically short-lived bassist Jimmy Blanton, who introduced a new
rhythmic freedom. In 1939, pianist and composer Billy Strayhorn
joined Ellington, and the two men found they had a natural talent
for writing music together, continuing. until Strayhorn's death in
1967.
Strayhorn wrote the band's theme Take The A-Train. In 1943, at
Carnegie Hall Ellington premiered his 45-minute Black Brown and
Beige, and although its lukewarm critical reaction briefly deterred
him, he began a sequence of further long pieces with the Deep South
Suite in 1946.
From the 1950s, Ellington toured internationally, wrote many
long suites, and also composed for films and the stage. His
best-known film score was Anatomy of a Murder (1959). In his last
years, Ellington wrote much sacred music, which he performed in
churches and cathedrals round the world. His other extended suites
were inspired by ideas as different as New Orleans music,
Shakespeare and visits to Asia.
Further Reading:
Ellington, Edward Kennedy 'Duke'. Music Is My Mistress. New York,
Da Capo 1976
Hasse, John Edward. Beyond Category, the Life and Genius of Duke
Ellington. New York, Simon and Schuster, 1993
Tucker, Mark. The Duke Ellington Reader. New York, Oxford
University Press, 1993
Recommended CDs:
The Blanton-Webster Band (1939-42) - Bluebird 13181 (also RCA
5659-2) (3 CD set).
Black, Brown and Beige (1944-46) - RCA Bluebird 86641 (3 CD
set).
Ellington At Newport 1956 (Complete) - Columbia C2K 64932 (2CD
set).
The Ellington Suites (1959-72) - Original Jazz Classics OJC
446.
The Far East Suite (1966) - Bluebird ND 87640.
Recommended links:
Official Duke Ellington site
With celebratory articles, photos and appreciations
Duke Ellington
Site of Ellington's major publisher with copious information about
his compositions